"Concerto in B Minor, Op. 5: I. Allegro" by Franz Servais, Didier Poskin, KBS Symphony Orchestra, Patrick Davin was released on May 7, 2012. Concerto in B Minor, Op. 5: I. Allegro appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Servais: Cello Concerto Nos. 1 & 2, Fantaisie burlesque & La Romanesca". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Belgium. Concerto in B Minor, Op. 5: I. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in B Minor, Op. 5: I. Allegro by Franz Servais, Didier Poskin, KBS Symphony Orchestra, Patrick Davin having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Lamento No. 1 | João Marcondes, O Imprevisível Núcleo de Compositores | C Major | 1 | 8B | 169 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Concerto No. 1 pour violon et orchestre: I. Allegro | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 2 | 9B | 116 BPM | ||
Lullaby (Nana) | Xavier Montsalvatge, Rachel Barton Pine, Matthew Hagle | B♭ Major | 1 | 6B | 84 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Andrew Wan, Charles Richard-Hamelin | E♭ Major | 0 | 5B | 90 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM |