"Moses and Marco Polo Suite: Journey from "Moses"" by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta was released on 2004. The duration of Moses and Marco Polo Suite: Journey from "Moses" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Moses and Marco Polo Suite: Journey from "Moses"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Yo-Yo Ma Plays Ennio Morricone (Remastered) by Ennio Morricone, Yo-Yo Ma. The song's track number on the album is #15 out of 19 tracks. Moses and Marco Polo Suite: Journey from "Moses" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Moses and Marco Polo Suite: Journey from "Moses" by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Moses and Marco Polo Suite: Journey from "Moses" being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Guillaume's Confession - Instrumental | Rachel Portman | E♭ Major | 0 | 5B | 102 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
Four Interludes | Ennio Morricone | B♭ Major | 1 | 6B | 107 BPM | ||
Fire - Instrumental | Rachel Portman | B♭ Minor | 0 | 3A | 65 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM |