"Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie" by Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra, Marie Arnet was released on February 12, 2008. Since Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, London Symphony Orchestra, Sir Colin Davis's "Mozart: Requiem" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie by Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra, Marie Arnet to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Falstaff, Act I Scene 2: "Leggi. Fulgida Alice!" | Giuseppe Verdi, Ana Ibarra, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 140 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
German Requiem, Op. 45: Selig sind die Toten | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev | E♭ Major | 0 | 5B | 98 BPM | ||
Così fan tutte, K. 588: Act 1: Coro "Bella Vita Militar!" - Recitativo "Non V'è Più Tempo" | Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Bernarda Fink, Werner Güra, Kölner Kammerchor, René Jacobs, Véronique Gens, Marcel Boone | D Major | 1 | 10B | 130 BPM | ||
Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Stephen Cleobury, Academy of Ancient Music, Christopher Purves, Choir of King's College, Cambridge, James Gilchrist, Elin Manahan Thomas, Christine Rice | C Minor | 3 | 5A | 98 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | G Major | 0 | 9B | 156 BPM |