On June 24, 1997, the song "Oboe Concerto in D Minor, BWV 1059R: III. Presto" was released by Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl. The duration of Oboe Concerto in D Minor, BWV 1059R: III. Presto is about 3 minutes long, at 3:23. Based on our data, "Oboe Concerto in D Minor, BWV 1059R: III. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Oboe Concertos" album is number 9 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe Concerto in D Minor, BWV 1059R: III. Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Oboe Concerto in D Minor, BWV 1059R: III. Presto by Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: III. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | C Major | 3 | 8B | 99 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM |