"Requiem, Op. 9: IV. Sanctus" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole was released on January 26, 2024. The duration of Requiem, Op. 9: IV. Sanctus is about 3 minutes long, at 3:12. Based on our data, "Requiem, Op. 9: IV. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Duruflé: Requiem, Op. 9: IV. Sanctus and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: IV. Sanctus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: IV. Sanctus by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Sanctus | Franz Schubert, The Choir Of Trinity College, Cambridge | E♭ Major | 0 | 5B | 172 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
Son of God, eternal Saviour - (Everton) | Henry Thomas Smart, The Choir Of Trinity College, Cambridge | D Major | 1 | 10B | 92 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
O magnum mysterium | Ivo Antognini, Stephen Layton, The Choir Of Trinity College, Cambridge | D♭ Minor | 1 | 12A | 136 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Kanon Pokajanen: Ode IV | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | D Minor | 0 | 7A | 84 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Miserere: Songs of Mercy and Redemption: 2. Miserere mei, Deus | Karl Jenkins, Stephen Layton, Iestyn Davies, Polyphony, Belinda Sykes, Abel Selaocoe, Britten Sinfonia, Catrin Finch, Zands Duggan, Jody Jenkins | G Minor | 2 | 6A | 99 BPM |