"Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis" by Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, Peter Harvey, Choir of The King's Consort, James Gilchrist was released on March 1, 2005. The duration of Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, The King's Consort, Robert King's "M. Haydn: Requiem in C Minor & Chiemsee-Messe" album is number 8 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis by Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, Peter Harvey, Choir of The King's Consort, James Gilchrist to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Water Music (2001 Digital Remaster), Suite No. 3 in G Major: XIX - Menuet | George Frideric Handel, Prague Chamber Orchestra/Sir Charles Mackerras, Sir Charles Mackerras, Prague Chamber Orchestra | G Minor | 0 | 6A | 126 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Requiem in B-Flat Major, MH 838: I. Requiem aeternam | Michael Haydn, Lydia Teuscher, KammerChor Saarbrücken, Kammerphilharmonie Mannheim, Georg Grun | B♭ Major | 1 | 6B | 110 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM |