"Livre posthume (1740): IV. Basse de trompette" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Livre posthume (1740): IV. Basse de trompette is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Livre posthume (1740): IV. Basse de trompette's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 4 out of 23. Livre posthume (1740): IV. Basse de trompette is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): IV. Basse de trompette by Louis Marchand, Jean-Baptiste Robin to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Trio Sonata in A Minor, BuxWV 254: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Concerto No. 5 in G Minor, Op. 2 No. 5: IV. Allegro | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | F♯ Minor | 3 | 11A | 138 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Suite in G Major, RCT 6: VI. Les Sauvages | Jean-Philippe Rameau, Sophie Yates | C Major | 6 | 8B | 152 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: III. Pt. 2 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Meditation No. 6 | Alexander Därr | B♭ Major | 0 | 6B | 80 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: II. Adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |