"Whether Men Do Laugh Or Weep" by Philip Rosseter, Matthew Wadsworth, James Gilchrist had its release date on January 1, 2006. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of When Laura Smiles - Lute Solos And Songs From Elizabethan England by Philip Rosseter, Matthew Wadsworth, James Gilchrist. The song's track number on the album is #19 out of 20 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Whether Men Do Laugh Or Weep's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Whether Men Do Laugh Or Weep by Philip Rosseter, Matthew Wadsworth, James Gilchrist has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Whether Men Do Laugh Or Weep being at 123 テンポ, the half-time would be 62 テンポ with a double-time of 246 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ich Klag Den Tag | Hans Neusidler, Joachim Held | D Major | 2 | 10B | 140 BPM | ||
Suite Buenos Aires for Flute and Guitar: I. Pompeya | Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon | A Minor | 0 | 8A | 128 BPM | ||
25 Études esquisses pour guitare | Gerald Garcia, Miloš Karadaglić | G Major | 1 | 9B | 133 BPM | ||
法國香頌: 花都的人潮 | 劉士堉, 廖國志 | E Minor | 1 | 9A | 121 BPM | ||
20 Miniaturen: Traffic Light | Klaus Rothkegel, Boris Tesic | B Minor | 1 | 10A | 158 BPM | ||
What Then Is Love but Mourning? | Philip Rosseter, James Rainbird, Michael Stuckey | G Minor | 8 | 6A | 116 BPM | ||
Third Galliard Of The Countess Of Sussex | Philip Rosseter, Matthew Wadsworth, James Gilchrist | F♯ Minor | 0 | 11A | 73 BPM | ||
Haunted | Ralph Towner, Letizia Carriero | A Minor | 1 | 8A | 75 BPM | ||
Danças populares brasileiras: VII. Frêvo (Isquenta ô pé) | Celso Machado, Guitar Trek | A Major | 4 | 11B | 141 BPM | ||
Suite Galante (Arr. for 2 Guitars by Anonymous): V. Allegro | Hermann Ambrosius, Duo Imbesi Zangarà | G Major | 3 | 9B | 128 BPM |