On December 10, 2005, the song "data.hypercomplex" was released by Ryoji Ikeda. With data.hypercomplex being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in dataplex by Ryoji Ikeda. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. data.hypercomplex is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of data.hypercomplex by Ryoji Ikeda is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ranta | Vladislav Delay | A Minor | 5 | 8A | 104 BPM | ||
KR-6200 | Carl Crack | G Major | 4 | 9B | 118 BPM | ||
Melancholia XIII | William Basinski | F Major | 1 | 7B | 136 BPM | ||
supercodex 16 | Ryoji Ikeda | D♭ Major | 8 | 3B | 141 BPM | ||
Movement 2 - Live | Mika Vainio, Ryoji Ikeda, alva noto | F♯ Major | 2 | 2B | 108 BPM | ||
Yari Chuu, Kyouroku Isuu | Bogdan Raczynski | B Major | 10 | 1B | 100 BPM | ||
midi pipe1c sds3time cube/klonedrm | AFX | D Minor | 4 | 7A | 198 BPM | ||
Nuclear Weapons Were Invented in 1945, Pt. 3 | Casino Versus Japan | D♭ Major | 8 | 3B | 90 BPM | ||
Coagulate | Puce Mary | B♭ Major | 3 | 6B | 76 BPM | ||
Void | Emptyset | B♭ Minor | 4 | 3A | 165 BPM |