Silvius Leopold Weiss, Robert Barto made "Lute Sonata No. 11 in D Minor: IV. Bourree" available on June 27, 1997. With Lute Sonata No. 11 in D Minor: IV. Bourree being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss, S.L.: Lute Sonatas, Vol. 1 - Nos. 11, 42, 49 by Silvius Leopold Weiss, Robert Barto. The song's track number on the album is #4 out of 19 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Lute Sonata No. 11 in D Minor: IV. Bourree's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Lute Sonata No. 11 in D Minor: IV. Bourree by Silvius Leopold Weiss, Robert Barto has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute Sonata No. 11 in D Minor: IV. Bourree being at 153 テンポ, the half-time would be 76 テンポ with a double-time of 306 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 3 in G Minor, WeissSW 3: I. Prelude | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata X | Alessandro Piccinini, Björn Colell | F♯ Major | 1 | 2B | 79 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
La Mallassis - Sarabande | Hopkinson Smith, Charles Mouton | F Minor | 0 | 4A | 76 BPM | ||
[Suite en la majeur]: IX. La petite Bru, Air gracieux (No. 26) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 170 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM |