"9 Preludes, Op. 103: No. 2 in C-Sharp Minor" by Gabriel Fauré, Kathryn Stott was released on April 1, 1995. With 9 Preludes, Op. 103: No. 2 in C-Sharp Minor being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 77 in Fauré: The Complete Music for Piano by Gabriel Fauré, Kathryn Stott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 9 Preludes, Op. 103: No. 2 in C-Sharp Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 9 Preludes, Op. 103: No. 2 in C-Sharp Minor by Gabriel Fauré, Kathryn Stott is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
30 Études de mécanisme, Op. 849: No. 3 in C Major. Allegro non troppo | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 173 BPM | ||
B:3 Always with Me (from Spirited Away) | Dinara Klinton | G Major | 0 | 9B | 120 BPM | ||
Piano Sonata No. 20 in G Major, Op. 49 No. 2 - I. Allegro ma non troppo | Famous Classic Piano | G Major | 4 | 9B | 151 BPM | ||
Variations and Fugue on a Theme by Handel in B-Flat Major, Op. 24: Aria | Johannes Brahms, Sara Costa | B♭ Major | 2 | 6B | 85 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Keyboard Sonata No. 35 in A Major | Domenico Cimarosa, Dario Candela | A Major | 2 | 11B | 98 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
シンフォニア 第8曲 ヘ長調 BWV794 | Irina Mejoueva | F Major | 3 | 7B | 95 BPM | ||
Cnag | Máire Carroll | B Major | 2 | 1B | 76 BPM | ||
Fauré: Berceuse, Op. 16 (Version for Violin and Harp) | Gabriel Fauré, Markus Klinko, Frédéric Laroque | D Major | 0 | 10B | 137 BPM |