"Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso" by London Festival Orchestra, Laurence Liegel, Ida Czernecka was released on July 1, 1994. Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky - 1812 Overture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso by London Festival Orchestra, Laurence Liegel, Ida Czernecka having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Tchaikovsky: Piano Concerto No. 1 in B flat Minor | London Festival Orchestra | B♭ Major | 3 | 6B | 112 BPM | ||
Der Opernball. Overture: Im Chambre Separée | Richard Heuberger, Josef Sakonov, London Festival Orchestra | C Major | 2 | 8B | 106 BPM | ||
Morning Papers Waltz / Die Fledermaus (Du und Du) / The Blue Danube (Reprise) | Johann Sebastian Strauss, London Festival Orchestra | G Major | 1 | 9B | 182 BPM | ||
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Mikhail Pletnev | D♭ Minor | 0 | 12A | 71 BPM |