"Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio" by Robert Casadesus, Gaby Casadesus, Jean Casadesus, Eugene Ormandy was released on 2001. Since Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "Robert Casadesus plays Mozart - Sony Classical Masters". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio by Robert Casadesus, Gaby Casadesus, Jean Casadesus, Eugene Ormandy having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite française d'après Claude Gervaise, FP 80b: VII. Carillon | Francis Poulenc | C Major | 2 | 8B | 95 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: 3. Moderato | Dmitri Shostakovich, Martha Argerich, Guy Touvron, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | A♭ Major | 1 | 4B | 101 BPM | ||
Piano Concerto No. 17 in G Major, K. 453: III. Allegro | Wolfgang Amadeus Mozart, Robert Casadesus, George Szell, Cleveland Orchestra | G Major | 1 | 9B | 78 BPM | ||
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Concerto No. 23 in A Major, K. 488: I. Allegro | Robert Casadesus, George Szell, Members Of The Cleveland Orchestra | A Major | 1 | 11B | 135 BPM | ||
Suite in G Major, RCT 6, No. 14: Les Sauvages | Jean-Philippe Rameau, Robert Casadesus | G Minor | 4 | 6A | 93 BPM | ||
7 Canciones populares españolas: No. 5, Nana (Arr. Halffter) | Manuel de Falla, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | Wolfgang Amadeus Mozart, Robert Casadesus, Herbert von Karajan, Schweizerisches Festspielorchester | E♭ Major | 1 | 5B | 169 BPM | ||
Brahms: 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | A Minor | 2 | 8A | 104 BPM | ||
Papillons, Op. 2: 10. Vivo | Robert Schumann, Robert Casadesus | C Major | 0 | 8B | 100 BPM |