"Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis was released on 2000. The duration of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. The popularity of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Presto (very, very fast), since this song has a tempo of 178 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per un bacio | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A Major | 0 | 11B | 129 BPM | ||
Te Deum "de Lyon": VIII. Tu ad liberandum suscepturus hominem | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Cantus for solo recorder: III. Syng mer | Bertil Palmar Johansen, Caroline Eidsten Dahl | G Minor | 0 | 6A | 91 BPM | ||
Jarzebski: Concerto a 3 voci & continuo: Tamburetta | Adam Jarzębski, Il Pomo D'oro | D Major | 4 | 10B | 132 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Short Stories in Music: Night Breeze | Carlos Salzedo, Salzedo Harp Duo | F Minor | 0 | 4A | 0 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM |