Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's 'Sechs deutsche Lieder, Opus 37: Nr. 3 Die Stimme der Nacht (Arr. für Stimme und Gitarre von Boris Tesic)' had a release date set for September 8, 2023. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 21 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Sechs deutsche Lieder, Opus 37: Nr. 3 Die Stimme der Nacht (Arr. für Stimme und Gitarre von Boris Tesic) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sechs deutsche Lieder, Opus 37: Nr. 3 Die Stimme der Nacht (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 0 | 12B | 79 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 16: No. 5, Thy Radiant Image | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | F Major | 2 | 7B | 200 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Sarasate: Spanish Dances, Op. 23: II. Zapateado (Allegro) | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | A Major | 3 | 11B | 114 BPM |