"Tancredi - Act I - Tu che accendi questo core di tanti palpiti" by Gioachino Rossini, Montserrat Caballé, Carlo Felice Cillario was released on May 24, 2013. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Montserrat Caballé's "Montserrat Caballé - The Diva" album is number 2 out of 100. On top of that, United States appears to be the country where this track was created. Based on our statistics, Tancredi - Act I - Tu che accendi questo core di tanti palpiti's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tancredi - Act I - Tu che accendi questo core di tanti palpiti by Gioachino Rossini, Montserrat Caballé, Carlo Felice Cillario to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Norma: Act I: Casta Diva | Elizabeth Bainbridge, Carlo Felice Cillario, Plácido Domingo, Montserrat Caballé, Fiorenza Cossotto, Ruggero Raimondi, Kenneth Collins | F Major | 1 | 7B | 138 BPM | ||
Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, Il Re, Aida, Schiave, Popolo, Ramfis, Sacerdoti, Prigionieri) | Giuseppe Verdi, Riccardo Muti | F Major | 5 | 7B | 67 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
Les Contes d'Hoffmann / Act 2: Une poupée aux yeux d'émail | Jacques Offenbach, Huguette Tourangeau, Plácido Domingo, L'Orchestre de la Suisse Romande, Richard Bonynge | G Major | 1 | 9B | 130 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: IV. Et vitam venturi | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 2 | 12B | 114 BPM | ||
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Oh! di qual sei tu vittima ".."Oh! qual traspare orribile".."Norma! de’ tuoi rimproveri" | Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 3 | 6B | 171 BPM | ||
Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM |