"Akt I: Wein und Brot des letzten Mahles" by Richard Wagner, Philippe Jordan was released on March 1, 2024. Since Akt I: Wein und Brot des letzten Mahles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #6 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Wein und Brot des letzten Mahles is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Wein und Brot des letzten Mahles by Richard Wagner, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Wein und Brot des letzten Mahles being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 86 BPM | ||
Scènes bohémiennes la jolie fille de perth: Prélude | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | D Major | 0 | 10B | 128 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Symphony No. 3 In C Major, Op. 43, "Le Divin Poeme" (The Divine Poem): I. Lento | Moscow Symphony Orchestra, Dmitri Lokalenkov, Alexander Scriabin | D Major | 0 | 10B | 165 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Was sinnt nun Wotan so wild?" | Richard Wagner, Set Svanholm, Kirsten Flagstad, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Minor | 1 | 2A | 85 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM |