Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi's 'Tenuisti manum, MH 695' came out on July 15, 2014. With Tenuisti manum, MH 695 being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 22 out of 28. On top of that, Hungary appears to be the country where this track was created. Tenuisti manum, MH 695 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenuisti manum, MH 695 by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scylla et Glaucus, Op. 11, Act II: Amants dont le prix | Jean-Marie Leclair, d’Albaret, Jehanne Amzal, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Stabat Mater à 10 voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Requiem in B-Flat Major, MH 838: IV. Liber scriptus | Michael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Wer ist der so von Edom kömmt, Ein Lämmlein geht und trägt die Schuld, GraunWV B:VII:4: No. 13, Harte Marter! Schwere Plagen! | Carl Heinrich Graun, Zoltán Megyesi, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 1 | 3B | 80 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Missa Sanctae Crucis, MH 56: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Stabat Mater pour dix voix et basse continue: II. Cujus animam gementem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | C Major | 3 | 8B | 90 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: Dieu des vers, à ton tour | Jean-Philippe Rameau, Chantal Santon Jeffery, David Witczak, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 2 | 1B | 91 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM |