Sergei Prokofiev, Martha Argerich, Sergei Babayan made "12 Movements from Romeo and Juliet, Op. 64: III. Morning Dance (Transcription For 2 Pianos By Sergei Babayan)" available on May 16, 2020. With 12 Movements from Romeo and Juliet, Op. 64: III. Morning Dance (Transcription For 2 Pianos By Sergei Babayan) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 80 in the song's album "Romantic Vol.1". In this album, this song's track order is #31. In terms of popularity, 12 Movements from Romeo and Juliet, Op. 64: III. Morning Dance (Transcription For 2 Pianos By Sergei Babayan) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 12 Movements from Romeo and Juliet, Op. 64: III. Morning Dance (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
In Autumn, Op.11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM |