"Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey)" by Jennifer Higdon, Isabel Leonard, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya was released on April 1, 2016. The duration of Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jennifer Higdon, Nathan Gunn, Isabel Leonard, Jay Hunter Morris, Emily Fons, Miguel Harth-Bedoya's "Higdon: Cold Mountain" album is number 10 out of 31. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey) by Jennifer Higdon, Isabel Leonard, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Oboe Concerto: I. Rondo Pastorale. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | ||
Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM |