"Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso" by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius was released on January 1, 2009. Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius's "Mendelssohn: Lobgesang" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Achmet und Zenide, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Serenade in A Major, Op. 23, No. 1, G. 145: IV. Allegretto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | D Major | 2 | 10B | 73 BPM | ||
Concertino in E flat, J109 (Op. 26): I: Adagio ma non troppo - | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | C Major | 1 | 8B | 174 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM | ||
Bagatelle No. 2 for String Quartet: Agitato E Appassionato | Jordan Zhu | F Major | 2 | 7B | 143 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM |