Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players made "Mozart: Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno)" available on 2008. The duration of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno) is about 3 minutes long, at 3:25. Based on our data, "Mozart: Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mozart für Kinder, Herbert von Karajan, John Nelson, Sir Roger Norrington, Orchestre de chambre de Paris, London Classical Players, Philharmonia Orchestra's "Mozart für Kinder" album is number 6 out of 17. Mozart: Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM |