"Frau Luna (Excerpts)" by Paul Lincke, Anneliese Rothenberger, Rupert Glawitsch, Hamburg Radio Chorus, Hamburg Radio Orchestra, Wilhelm Stephan was released on October 7, 2016. Since Frau Luna (Excerpts) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists, Wilhelm Stephan's "Masterpieces of Operetta, Vol. 6: Frau Luna, Kaiserin Joséphine, Arizona Lady & Others (Remastered 2016)" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. Frau Luna (Excerpts) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Frau Luna (Excerpts) by Paul Lincke, Anneliese Rothenberger, Rupert Glawitsch, Hamburg Radio Chorus, Hamburg Radio Orchestra, Wilhelm Stephan to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Irish Washerwoman | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | A Major | 3 | 11B | 78 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Casse-Noisette suite, Op. 71a ; TH 35: III. Valse des fleurs (extrait) | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum | B Minor | 5 | 10A | 94 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
La vie parisienne: Bacarolle - Instrumental | Jacques Offenbach, Philadelphia Orchestra, Eugene Ormandy | D Major | 2 | 10B | 82 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Frau Luna: Nach der Liebesinsel | Paul Lincke, Franz Fehringer, Willy Hofmann, Herta Talmar, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 203 BPM | ||
Annchen von Tharau | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | C Major | 2 | 8B | 0 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM |