Giuseppe Sammartini, London Baroque made "Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto" available on March 26, 2013. With Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto by Giuseppe Sammartini, London Baroque having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Zoroastre - Gavotte en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 139 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
Les nations, Troisième ordre "L'impériale": I. Sonade. Gravement - Vivement et marquée | François Couperin, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 1, Symphonie in C Major | Jean-Baptiste Lully, London Baroque | F♯ Minor | 3 | 11A | 113 BPM | ||
Trio Sonata in G Minor, Op. 3 No. 5: III. Sarabanda. Andante con espressione - Allegro grazioso | Giuseppe Sammartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: III. Tempo di minuetto | Johann Christoph Friedrich Bach, London Baroque | E Major | 1 | 12B | 111 BPM | ||
Concerto d'église No. 4, Op. 2: II. Largo | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | B Major | 1 | 1B | 71 BPM |