"Pavane, Op. 50 (Arr. for Cello and Orchestra)" by Gabriel Fauré, Sol Gabetta, Charles Olivieri-Munroe was released on September 4, 2008. Pavane, Op. 50 (Arr. for Cello and Orchestra) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 12 out of 14 in Cantabile by Sol Gabetta, Charles Olivieri-Munroe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pavane, Op. 50 (Arr. for Cello and Orchestra) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pavane, Op. 50 (Arr. for Cello and Orchestra) by Gabriel Fauré, Sol Gabetta, Charles Olivieri-Munroe is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Carmen: Près des remparts de Séville (Arr. for Cello and Orchestra) | Georges Bizet, Sol Gabetta, Charles Olivieri-Munroe | D Major | 0 | 10B | 179 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Wilhelm Kempff | D♭ Minor | 0 | 12A | 146 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Après un Rêve Op. 7, No. 1 (Arr. for Violin and Piano) | Gabriel Fauré, Janine Jansen, Itamar Golan | F Minor | 0 | 4A | 94 BPM | ||
Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Gabriel Fauré, Amy Dickson, Chris Walden, London Session Orchestra | F♯ Minor | 1 | 11A | 117 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM |