"In Seven Days: Fugue. v. Creatures of the Sea and Sky" by Thomas Adès, Nicolas Hodges, London Sinfonietta was released on October 18, 2011. The duration of In Seven Days: Fugue. v. Creatures of the Sea and Sky is about 3 minutes long, at 3:05. Based on our data, "In Seven Days: Fugue. v. Creatures of the Sea and Sky" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 9 in Adès: In Seven Days / Nancarrow Studies Nos. 6 & 7 by Thomas Adès, London Sinfonietta. Based on our statistics, In Seven Days: Fugue. v. Creatures of the Sea and Sky's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Seven Days: Fugue. v. Creatures of the Sea and Sky by Thomas Adès, Nicolas Hodges, London Sinfonietta is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
Daphnis et Chloé, M. 57, Tableau I: Lever du jour | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E Minor | 0 | 9A | 88 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Ian Bostridge, Thomas Adès | B Minor | 0 | 10A | 132 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM |