"La jolie fille de Gand: Introduction" by Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia was released on February 7, 2001. The duration of La jolie fille de Gand: Introduction is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. La jolie fille de Gand: Introduction's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 37 in Adam: Jolie Fille De Gand (La) (Complete Ballet) by Adolphe Adam, Andrew Mogrelia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. La jolie fille de Gand: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La jolie fille de Gand: Introduction by Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Abbey Road concerto for Violin and Orchestra: XIV. Carry That Weight | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | F Major | 1 | 7B | 106 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto | Carl Stamitz, Johann Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | G Major | 2 | 9B | 127 BPM | ||
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. for Orchestra by Gustav Mahler): III. Scherzo. Allegro vivace | Ludwig van Beethoven, Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis | E♭ Major | 1 | 5B | 87 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: III. Allegretto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Divertimento in F for String Ensemble, K.138: i. Allegro | Mozart, English Chamber Orchestra, David Blum | E♭ Major | 0 | 5B | 138 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata VI. "Consummatum est" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM |