"Requiem for Cello Alone: VI. Lux aeterna" by Peter Sculthorpe, Pieter Wispelwey was released on January 1, 1995. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pieter Wispelwey's "Hindemith, Sessions & Ligeti" album is number 8 out of 20. On top of that, Netherlands appears to be the country where this track was created. Requiem for Cello Alone: VI. Lux aeterna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem for Cello Alone: VI. Lux aeterna by Peter Sculthorpe, Pieter Wispelwey to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Isaac Stern, Leonard Bernstein, New York Philharmonic | E♭ Major | 1 | 5B | 97 BPM | ||
The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Melodie (Arr. A.K. Glazunov for violin and orchestra) | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 115 BPM | ||
Djilile | Peter Sculthorpe, Amy Dickson | A Minor | 0 | 8A | 64 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
En rêve, nocturne, S. 207 | Franz Liszt, Paul Lewis | B Major | 0 | 1B | 136 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM |