Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden's 'Chin-chin (Arr. for Violin & String Orchestra by Ken Selden)' came out on April 26, 2024. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Piazzolla: Arrangements for Violin & String Orchestra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Chin-chin (Arr. for Violin & String Orchestra by Ken Selden)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chin-chin (Arr. for Violin & String Orchestra by Ken Selden) by Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Over the Rainbow (Arr. for String Quartet by William Ryden) | Harold Arlen, Miró Quartet | C Major | 1 | 8B | 84 BPM | ||
String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto | Franz Schubert, Takács Quartet | D Minor | 0 | 7A | 83 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
Soledad | Lupelius Ensemble, Astor Piazzolla | E Minor | 2 | 9A | 139 BPM | ||
ヴァイオリン・ソナタ 第2番 イ長調 作品100: 第1楽章: Allegro amabile | Johannes Brahms, Akiko Suwanai, エフゲニー・ボザノフ | A Major | 1 | 11B | 114 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Soledad (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | E Minor | 1 | 9A | 80 BPM | ||
Six Pieces for Solo Violin: Prelude | Sophia Jani, Teresa Allgaier | D Major | 0 | 10B | 78 BPM |