"Hamlet: A vos jeux, mes amis" by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on August 26, 2016. Since Hamlet: A vos jeux, mes amis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Singers of the Century: Joan Sutherland – The Art of Coloratura (Remastered 2016)". In this album, this song's track order is #6. Hamlet: A vos jeux, mes amis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet: A vos jeux, mes amis by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Mignon: "Bons bourgeois et notables" (Townsfolk) - Voice | Ambroise Thomas, Jules Barbier, Michel Carré, Philharmonia Orchestra, Antonio de Almeida | D Major | 3 | 10B | 105 BPM | ||
Capriccio Espagnol: Scena e canto gitano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | D Minor | 2 | 7A | 124 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
Offenbach: La Belle Hélène, Act 2 Scene 11: No. 11, Invocation à Vénus, "On me nomme Hélène la blonde" (Hélène) | Jacques Offenbach, John Aler, Charles Burles, Jessye Norman, Nicole Carreras, Colette Alliot-Lugaz, Gabriel Bacquier, Jean-Philippe Lafont, Choeur Du Capitole De Toulouse, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM | ||
Accelerationen, Op.234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Tchaikovsky: Eugene Onegin, Op. 24, Act III: Polonaise | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | G Major | 3 | 9B | 102 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM |