"Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?")" by Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg had its release date on 1958. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #7 out of 26 tracks. In terms of popularity, Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?") by Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?") being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du laß' dich nicht verhärten | Wolf Biermann | F♯ Major | 8 | 2B | 62 BPM | ||
Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: The World Is Mean (Polly, Peachum, Mrs. Peachum) | Kurt Weill, Marc Blitzstein, Jo Sullivan Loesser, Martin Wolfson, Charlotte Rae, Artist Unknown, Samuel Matlowsky | D Minor | 3 | 7A | 128 BPM | ||
Liebling, mein Herz laesst Dich gruessen | Lilian Harvey, Willy Fritsch | D Major | 2 | 10B | 135 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
Anstatt-Dass-Song (1.Akt) (Polly Peachum ist nicht | Bertolt Brecht, Kurt Weill | B♭ Major | 2 | 6B | 108 BPM | ||
Die Anderen waren Schuld | Alexandra | B♭ Minor | 5 | 3A | 99 BPM | ||
Wenn Ich Vergnügt Bin Muß Ich Singen | Die Goldene Sieben, Peter Igelhoff | C Major | 4 | 8B | 134 BPM | ||
Ich wollt', ich wäre ein Huhn | Willy Fritsch, Lilian Harvey | C Major | 6 | 8B | 134 BPM | ||
Die Dreigroschenoper: Kanonen-Song | Kurt Weill, Wolfgang Reichmann, Rias-Sinfonietta Berlin, John Mauceri | D♭ Minor | 3 | 12A | 96 BPM |