"Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano)" by Anonymous, Ludwig van Beethoven, Josef Hofmann was released on January 4, 2011. The duration of Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Piano Rolls and Discs, Selected Comparisons (1927)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) by Anonymous, Ludwig van Beethoven, Josef Hofmann having a テンポ of 50 with a half-time of 25 テンポ and a double-time of 100 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fall Asleep by the Flash | Monks Choir of Kyiv Pechersk Monastery | C Major | 3 | 8B | 107 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Os iusti. Gradual (Modo I) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Presanctified Liturgy: Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B♭ Minor | 1 | 3A | 170 BPM | ||
Nos Auten. Introito (Modo IV) - 1980 Remastered Version | Anonymous, Coro De Monjes Del Monasterio De Silos | F♯ Major | 1 | 2B | 80 BPM | ||
Kyrie V - Kyrie magnae Deus potentiae, Vat. V/In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | E Minor | 0 | 9A | 75 BPM | ||
Les Vêpres: Hymne "Ave maris Stella" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 1 | 10B | 123 BPM | ||
Tant que vivrai | Claudin de Sermisy, Harmonia Recorder Ensemble | G Major | 0 | 9B | 124 BPM | ||
Let All Human Flesh Be Silent | The Sirin Choir, Choirmaster: Andrey Kotov | D Major | 2 | 10B | 129 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM |