"Introduction and Rondo Capriccioso (arr. Debussy)" by Camille Saint-Saëns, Claude Debussy, Daniel Blumenthal, Robert Groslot was released on April 23, 1993. Since Introduction and Rondo Capriccioso (arr. Debussy) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 19 in Debussy: Arrangements for 2 Pianos by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Introduction and Rondo Capriccioso (arr. Debussy)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Introduction and Rondo Capriccioso (arr. Debussy) by Camille Saint-Saëns, Claude Debussy, Daniel Blumenthal, Robert Groslot is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso, Op. 28, R. 188: I. Introduction | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 0 | 8A | 177 BPM | ||
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM | ||
Lieder ohne Worte, Op. 62: No. 6, Allegretto grazioso, MWV U 161 | Felix Mendelssohn, Mao Fujita | F♯ Major | 2 | 2B | 88 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Piano Trio No. 1 in D minor, Op. 32: 3. Elegia: Adagio | Anton Arensky, Beaux Arts Trio | D Major | 2 | 10B | 77 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Album for the Young, Op. 69, No. 16: First Loss | Robert Schumann, Balazs Szokolay | A Minor | 3 | 8A | 83 BPM | ||
Fantasy on Polish Airs, Op. 13: Largo non troppo | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 0 | 11B | 81 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM |