"Glockenspiel" by WDR Sinfonieorchester Köln was released on October 19, 2002. With Glockenspiel being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 15 in Acousmatrix - The History of Electronic Music VI by WDR Sinfonieorchester Köln. Glockenspiel is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Glockenspiel by WDR Sinfonieorchester Köln is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Concerto for Horn and Orchestra, Op. 91: II. Andante | Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins | E♭ Major | 0 | 5B | 132 BPM | ||
Svatá Ludmila, Op. 71, B. 144: Ó, cestu ukaž mi, jak ji mám dobýt | Antonín Dvořák, WDR Sinfonieorchester Köln, Piotr Beczala, Gerd Albrecht | D Major | 1 | 10B | 112 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | Robert Schumann, WDR Sinfonieorchester Köln, Heinz Holliger | G Minor | 1 | 6A | 69 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 2 | 10B | 76 BPM | ||
Cinderella, Op. 87, Act I: The Beggar Fairy | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | C Major | 2 | 8B | 127 BPM |