"Missa Sancti Hieronymi: II. Gloria. Vivace" by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden was released on February 28, 1998. With this song being about 5 minutes long, at 4:32, "Missa Sancti Hieronymi: II. Gloria. Vivace" by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Haydn, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden's "Haydn, M.: Sacred Choral Music" album is number 2 out of 14. On top of that, Sweden appears to be the country where this track was created. Missa Sancti Hieronymi: II. Gloria. Vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sancti Hieronymi: II. Gloria. Vivace by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Missa Sancta Theresiae: Gloria in excelsis Deo | Michael Haydn, Mária Zádori, Lucia Medgyesi-Schwartz, Jozsef Mukk, László Jekl, Jeunesses Musicales Chorus, Erdõdy Chamber Orchestra, Domonkos Heja | C Major | 2 | 8B | 65 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Allegri: Miserere - 03. Tibi Soli Peccavi | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 77 BPM | ||
Concerto-Pasticcio in C Major: I. Largo | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | G Major | 0 | 9B | 67 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM |