"Violin Concerto No.1, Op.35: Vivace scherzando" by Karol Szymanowski, Nicola Benedetti, London Symphony Orchestra, Daniel Harding was released on January 1, 2005. Since Violin Concerto No.1, Op.35: Vivace scherzando is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Szymanowski: Violin Concerto No.1". In this album, this song's track order is #2. In terms of popularity, Violin Concerto No.1, Op.35: Vivace scherzando is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No.1, Op.35: Vivace scherzando by Karol Szymanowski, Nicola Benedetti, London Symphony Orchestra, Daniel Harding having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet Sur Le Nom De Haydn | Maurice Ravel, André Laplante | G Major | 0 | 9B | 69 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
Harnasie, Op. 55: Tableau 1: Redyk (Driving the sheep) | Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 1 | 9B | 81 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Krol Roger (King Roger), Op. 46: Act II: Soldiers Seize the Shepherd: Kto smie moj czar (Who Would Bind Me) (Shepherd, Roxana, Chorus) | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | D Major | 5 | 10B | 69 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM |