"Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner)" by Percy Grainger, Lake Effect Clarinet Quartet was released on October 19, 2019. The duration of Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Nielsen, Grainger, & Strauss". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shepherd's Hey! (Arr. for Clarinet Quartet by Erin Miesner) by Percy Grainger, Lake Effect Clarinet Quartet having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Russlan and Ludmilla Overture | Mikhail Glinka, The London Horn Sound, Geoffrey Simon | F Major | 1 | 7B | 149 BPM | ||
Masque | Kenneth Hesketh, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 3 | 10B | 156 BPM | ||
American Overture | Joseph Willcox Jenkins, Lone Star Wind Orchestra, Eugene Migliaro Corporon | F Major | 3 | 7B | 132 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto pour trombone et orchestre: I. Moderato assai | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | D♭ Major | 0 | 3B | 73 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Danzon No. 2 (arr. for wind ensemble) | Anonymous , Arturo Márquez, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 2 | 7A | 74 BPM | ||
Novorossisk Chimes (The Fires of Eternal Glory), Op. 111b | Dmitri Shostakovich, Royal Philharmonic Orchestra, Vladimir Ashkenazy | E♭ Major | 2 | 5B | 72 BPM | ||
Emperata Overture | Claude T. Smith, Taiwan Wind Ensemble, John P. Boyd | F Major | 2 | 7B | 69 BPM | ||
Ye Banks and Braes (Arr. Percy Grainger) | Traditional, Percy Grainger, Robert Burns, Cantillation, Antony Walker | B Minor | 1 | 10A | 75 BPM |