Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) - Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra 情報

音響性: 95%
ダンサビリティ: 64%
エネルギー: 12%
手段性: 0%
活気: 36%
ラウドネス: 55%
話し言葉: 4%
価数: 50%
人気: 0%
ラウドネス: -26.998 dB

まとめ

Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's ' "Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius)" was released on its scheduled release date, April 1, 1995. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 9 out of 61. In terms of popularity, Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) テンポ

We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius) キー

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	F Major	6	7B	154 BPM
Viola Sonata, Op. 11, No. 5: I. Lebhaft, aber nicht geeilt	Paul Hindemith, Nobuko Imai	D♭ Major	1	3B	148 BPM
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell	Hans Rott, Gürzenich Orchester Köln, Christopher Ward	B♭ Major	2	6B	93 BPM
Sonate, Op. 71: II. Nocturne – Presque adagio	Charles Koechlin, Julien Hardy, Simon Zaoui	E♭ Major	0	5B	77 BPM
Viola Sonata, Op. 25, No. 1: IV. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache	Paul Hindemith, Nobuko Imai	F Major	5	7B	104 BPM
Webern - Langsamer Satz, M.78	Anton Webern, Borodin Quartet	E♭ Major	2	5B	92 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Major	1	10B	82 BPM
The Four Temperaments for Piano and String Orchestra: Var. 2. Sanguinisch. Walzer	Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner	E Major	2	12B	141 BPM
Piano Concerto No. 20 in D Minor, K. 466: II. Romanza	Wolfgang Amadeus Mozart, Clara Haskil, Orchestre Philharmonique de L'ORTF, Paul Hindemith	B♭ Major	1	6B	76 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records