Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito)' had a release date set for April 1, 1995. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 17 out of 61. Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Stravinsky: 3 Pieces for Solo Clarinet: No. 2 | Igor Stravinsky, Sabine Meyer | D Major | 0 | 10B | 169 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Viola Sonata: III. Adagio | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 0 | 7B | 95 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 2. Largo | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Major | 0 | 8B | 71 BPM |