"Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo"" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations was released on September 3, 2021. With Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 88 in the song's album "Passion - Officivm Hebdomadæ Sanctæ". In this album, this song's track order is #1. In terms of popularity, Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
Missa Tu es Petrus: V, Agnus Dei | Orazio Benevoli, I Fagiolini, Robert Hollingworth, The City Musick | G Major | 1 | 9B | 96 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM |