Erik Satie, Reinbert de Leeuw made "Pièces froides:: Airs à faire fuir - III. S'inviter" available on January 1, 1980. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Satie: Gymnopédies; Gnossiennes". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Pièces froides:: Airs à faire fuir - III. S'inviter is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pièces froides:: Airs à faire fuir - III. S'inviter by Erik Satie, Reinbert de Leeuw having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Beatrice Rauchs | F♯ Major | 0 | 2B | 71 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 46 in G Minor, Op. 102, No. 4 | Felix Mendelssohn, John Russo, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
24 Preludes, Op.11, Part II: No. 9 in E Major | Alexander Scriabin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 85 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
24 Petits Reves Bizarres: No. 18 in G minor | Stephan Beneking, Milana Zilnik | G Minor | 1 | 6A | 182 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM |