Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin made "Nabucco / Act 2: Chi s'avanza? Orrenda scena" available on January 1, 1983. With Nabucco / Act 2: Chi s'avanza? Orrenda scena being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #16 out of 44 tracks. Nabucco / Act 2: Chi s'avanza? Orrenda scena is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Nabucco / Act 2: Chi s'avanza? Orrenda scena by Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nabucco / Act 2: Chi s'avanza? Orrenda scena being at 72 テンポ, the half-time would be 36 テンポ with a double-time of 144 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | ||
Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | ||
Nabucco / Act 4: Oh, dischiuso è il firmamento! | Giuseppe Verdi, Lucia Valentini Terrani, Lucia Popp, Plácido Domingo, Yevgeny Nesterenko, Kurt Rydl, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | F Major | 1 | 7B | 108 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
La forza del destino, Act II, Scene I: Viva la guerra! | Giuseppe Verdi, Anna Maria Chiuri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Minor | 2 | 8A | 121 BPM | ||
Tosca / Act 2: "Meno male!" - "Egli è là" | Giacomo Puccini, Heinz Zednik, José Carreras, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | E Minor | 1 | 9A | 81 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "La vendetta, oh, la vendetta" | Wolfgang Amadeus Mozart, Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | A Major | 2 | 11B | 69 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM |