"Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande" by Johann Sebastian Bach, Yo-Yo Ma was released on August 17, 2018. The duration of Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande is about 3 minutes long, at 3:10. Based on our data, "Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #10. In terms of popularity, Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande by Johann Sebastian Bach, Yo-Yo Ma having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria del mio sangue from Il Giustino, RV 717 | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 2 | 1B | 96 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Daniel Barenboim, Chicago Symphony Orchestra, Itzhak Perlman, Yo-Yo Ma | G Major | 0 | 9B | 103 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.13 in F sharp major BWV858 | Daniel Barenboim | E♭ Minor | 1 | 2A | 139 BPM | ||
Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 89 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: IV. Menuet I & II | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 2 | 6B | 108 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
11 Bagatelles, Op. 119: 4. Andante cantabile | Ludwig van Beethoven, Alfred Brendel | A Major | 1 | 11B | 81 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
Boccherini: Cello Concerto No. 8 in C Major, G. 481: III. Allegretto | Luigi Boccherini, Anner Bylsma, Concerto Amsterdam, Jaap Schröder | C Major | 3 | 8B | 80 BPM |