"VistaVision Logo & Prelude (From The Man Who Knew Too Much)" by William T. Stromberg, Royal Scottish National Orchestra was released on April 25, 2023. The duration of VistaVision Logo & Prelude (From The Man Who Knew Too Much) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. VistaVision Logo & Prelude (From The Man Who Knew Too Much)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "The Man Who Knew Too Much / On Dangerous Ground (Original Motion Picture Soundtracks)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. VistaVision Logo & Prelude (From The Man Who Knew Too Much) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With VistaVision Logo & Prelude (From The Man Who Knew Too Much) by William T. Stromberg, Royal Scottish National Orchestra having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
C'era Una Volta In Italia, La Patria | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM | ||
Jack Arrow | Palmanoir | G Minor | 4 | 6A | 100 BPM | ||
High Seat Forever | Laz Ukpo | E♭ Minor | 1 | 2A | 87 BPM | ||
A Brilliant Shot | Moscow Symphony Orchestra, William T. Stromberg | G Major | 7 | 9B | 104 BPM | ||
Para clarinete | Juan Pablo Fernández Ramos | A Major | 0 | 11B | 67 BPM | ||
Over! Over! Over! Over! Game Over! | Marcel Barsotti | F Major | 3 | 7B | 135 BPM | ||
Locura Atractiva | Sirenas Celestiales | A Major | 1 | 11B | 109 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: IV. Andantino – Allegro | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
The Secrets of the Rain (Movement I) | Daniel Brennare | G Minor | 2 | 6A | 110 BPM | ||
Imaginando Paraiso | Sirenas Celestiales | C Major | 3 | 8B | 146 BPM |