On April 25, 1988, the song "Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in C-Sharp Major, BWV 848" was released by Johann Sebastian Bach, Keith Jarrett. With Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in C-Sharp Major, BWV 848 being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Bach: Das Wohltemperierte Klavier - Buch I (BWV 846 - 869) by Johann Sebastian Bach, Keith Jarrett. Based on our statistics, Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in C-Sharp Major, BWV 848's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in C-Sharp Major, BWV 848 by Johann Sebastian Bach, Keith Jarrett is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Muséte de Taverni (à 5 mains) (15e ordre) | François Couperin, Alexandre Tharaud | E Major | 3 | 12B | 89 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Religious Ceremony | Keith Jarrett | A Minor | 0 | 8A | 75 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Württemberg Sonatas / Sonata No. 2 in A-Flat Major, H. 31: III. Allegro | Carl Philipp Emanuel Bach, Keith Jarrett | A♭ Major | 1 | 4B | 102 BPM | ||
Hymn | Keith Jarrett | C Major | 0 | 8B | 137 BPM | ||
English Suite No. 2 in A minor, BWV 807: IV. Sarabande | Johann Sebastian Bach, Murray Perahia | A Minor | 0 | 8A | 95 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata in F-Sharp Minor, K. 447 | Domenico Scarlatti, Lucas Debargue | F♯ Minor | 2 | 11A | 113 BPM | ||
Beltà poi che t'assenti (Arr. for 2 Pianos) | Jenny Lin, Carlo Gesualdo, Uri Caine | B♭ Major | 1 | 6B | 119 BPM |