""the Ruins Of Athens" - March And Chorus "schmuckt Die Altare," Op. 114" by Minnesota Orchestra, Stanisław Skrowaczewski was released on April 8, 2008. "the Ruins Of Athens" - March And Chorus "schmuckt Die Altare," Op. 114 is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The song is number 6 out of 18 in Beethoven Overtures And Incidental Music by Minnesota Orchestra. In terms of popularity, "the Ruins Of Athens" - March And Chorus "schmuckt Die Altare," Op. 114 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "the Ruins Of Athens" - March And Chorus "schmuckt Die Altare," Op. 114 by Minnesota Orchestra, Stanisław Skrowaczewski is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato - | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A♭ Major | 1 | 4B | 93 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Children's Corner, L. 113: 6. Golliwogg's Cakewalk | Claude Debussy, Nelson Freire | F Minor | 1 | 4A | 69 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": If. Accende lumen sensibus - Live | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä, Carolyn Sampson, Jacquelyn Wagner, Sasha Cooke, Jess Dandy, Barry Banks, Julian Orlishausen, Christian Immler, Minnesota Chorale, The National Lutheran Choir, Minnesota Boychoir, Angelica Cantanti Youth Choirs | B♭ Major | 5 | 6B | 141 BPM | ||
The Lake Wobegon Hymn | Garrison Keillor, Philip Brunelle, Minnesota Orchestra | B♭ Major | 0 | 6B | 110 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIl. Bei der Liebe, die den Füßen - Bei dem Bronn, zu dem schon weiland - Bei dem hochgeweihten Orte - Live | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä, Carolyn Sampson, Sasha Cooke, Jess Dandy | E♭ Major | 2 | 5B | 104 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (Ma non troppo lento) | Jean Sibelius, Minnesota Orchestra, Osmo Vänskä | E♭ Major | 1 | 5B | 94 BPM |