"A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 4 out of 36. On top of that, France appears to be the country where this track was created. A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
Preliudai (Preludes): Preludias: Tranquillo | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | G Minor | 0 | 6A | 70 BPM | ||
Symphony No. 3 in C Minor, Op. 14: IIIc. Var. 2, Andante con moto | Witold Maliszewski, Opole Philharmonic Orchestra, Przemyslaw Neumann | A♭ Major | 0 | 4B | 79 BPM | ||
Violin Concerto in E Minor, Op. 64: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra, Sir Andrew Davis | E Major | 2 | 12B | 83 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D Major | 2 | 10B | 107 BPM |