"Op.15, Children Scenes From Childhood: Of Foreign Lands And People (Von fremden Landern und Menschen, Kinderszenen)" by Symphony Orchestra Radio Luxemburg, Paul Redinowski had its release date on July 7, 1998. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Piano Concerto (Klavierkonzerte)". In this album, this song's track order is #4. In terms of popularity, Op.15, Children Scenes From Childhood: Of Foreign Lands And People (Von fremden Landern und Menschen, Kinderszenen) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Op.15, Children Scenes From Childhood: Of Foreign Lands And People (Von fremden Landern und Menschen, Kinderszenen) by Symphony Orchestra Radio Luxemburg, Paul Redinowski having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: IV. April, "Snowdrop" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | C Minor | 0 | 5A | 123 BPM | ||
Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
12 Danzas españolas, Op. 37: 6. Rondalla aragonesa - Jota | Enrique Granados, Alicia de Larrocha | D Major | 1 | 10B | 128 BPM | ||
Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Piano Sonata in G Major, Hob.XVI: 40: 1. Allegretto e innocente | Joseph Haydn, Sviatoslav Richter | G Major | 0 | 9B | 94 BPM | ||
Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 | Sylvia Capova | D♭ Minor | 1 | 12A | 68 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM |