"Cello Concerto No.2 in E minor, Op.30: II Andante tranquillo" by Victor Herbert, Gautier Capuçon, hr-Sinfonieorchester Frankfurt, Paavo Järvi, Frankfurt Radio Symphony Orchestra, Hr-sinfonieorchester was released on January 2, 2009. Since Cello Concerto No.2 in E minor, Op.30: II Andante tranquillo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Dvorak & Herbert: Cello Concertos by Gautier Capuçon, Paavo Järvi, Hr-sinfonieorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Concerto No.2 in E minor, Op.30: II Andante tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto No.2 in E minor, Op.30: II Andante tranquillo by Victor Herbert, Gautier Capuçon, hr-Sinfonieorchester Frankfurt, Paavo Järvi, Frankfurt Radio Symphony Orchestra, Hr-sinfonieorchester is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No.2 in E minor, Op.30: I Allegro impetuoso | Victor Herbert, Gautier Capuçon, hr-Sinfonieorchester Frankfurt, Paavo Järvi | C Major | 1 | 8B | 86 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Six Piano Pieces: III. Ghazel | Victor Herbert, William Hicks | F Minor | 1 | 4A | 74 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM |