"Ludwig van: II" by Mauricio Kagel, Alexandre Tharaud, Philippe Bernold, Hervé Joulain, Francois Le Roux, Marc Marder, Jean-Guihen Queyras, Ronald Van Spaendonck, Choeur Rémusat was released on 2003. The duration of Ludwig van: II is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Ludwig van: II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mauricio Kagel, Alexandre Tharaud's "Kagel" album is number 7 out of 17. On top of that, France appears to be the country where this track was created. In terms of popularity, Ludwig van: II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludwig van: II by Mauricio Kagel, Alexandre Tharaud, Philippe Bernold, Hervé Joulain, Francois Le Roux, Marc Marder, Jean-Guihen Queyras, Ronald Van Spaendonck, Choeur Rémusat to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Match für 3 Spieler - Pt. 5 | Mauricio Kagel, Christoph Caskel, Siegfried Palm, Klaus Storck | G Major | 3 | 9B | 115 BPM | ||
Say: Cello Sonata, Op. 41 "Four Cities": III. Ankara | Fazıl Say, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
An Italian Wedding | Belle Chen | F♯ Minor | 3 | 11A | 129 BPM | ||
Dancing Shades: VI | Therese Birkelund Ulvo, Ernst Simon Glaser | D♭ Major | 0 | 3B | 108 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | A Minor | 4 | 8A | 75 BPM | ||
Mad Dog (2011) for Ensemble: I. Incalzante - Live | Bernd Richard Deutsch, Klangforum Wien, Enno Poppe | G Major | 3 | 9B | 104 BPM | ||
The Tempest: Suite No. 2, Op. 109: VIII. Dance Episode | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM |